Plot
Lockdown Follows police officers who returns to duty after dealing with a gun shot wound to learn incriminating proof illegal activities against those nearest to him. He quickly finds himself trapped inside his personal precinct, hunted plus search with the truth, since the crooked cops visit to nothing to recover the research.
Review
Good concepts to use it movies are available out there. Die Hard experienced a great one, and there were the riffs on Die Hard like Under Siege, Speed, Passenger 57, each other “guy gets stuck in a very place with terrorists” movie. No matter how often times it gets knocked off, it’s still recommended. By the time the PG-13 rated WWE film 12 Rounds (starring John Cena) was already released, the riffing have got to the point where the riff was lifting the idea in the third film from the Die Hard franchise, and while the thinking behind a guy the need to run around a major city, doing impossible tasks for just a terrorist, is reasonably sound, it had been never a concept that anyone must have been copying, but it turned out what it turned out, also it gave us another hd effort from your hulked out John Cena, who even now has never used the vehicle film he will need to make him a full-fledged action star.
The first 12 Rounds, from director Renny Harlin (who did the far superior Die Hard 2: Die Harder), was delayed by bloodless action, safe scripting, plus a woefully weak villain who never has a chance against Cena, who a minimum of on the surface seems like a beast. When WWE eventually made a decision to spin 12 Rounds into an in-name only sequel franchise like these people were doing with The Marine (which has been another PG-13 Cena-starring vehicle), they’d shifted to the subsequent tier of in-house wrestling stars and gave Randy Orton his shot for the title together with the direct-to-video 12 Rounds 2: Reloaded. With Orton off shooting The Condemned 2, your next guy in line to headline another 12 Rounds movie was Dean Ambrose (a.k.a. Jonathan Good).
Ambrose doesn’t really appear to be much and hardly gets the appearance of an wrestler (he never takes his shirt off with this film, so it’s tough to tell), but he’s got that everyman check out him, less like John McClane, a bit more like the character Jason Patrick played in, say, Speed 2: Cruise Control. That’s a great comparison. Ambrose is playing a cop named Shaw, who’s just returned to function after a prolonged leave carrying out a shooting that got his partner killed but got him wounded. Everyone around the force is jittery around him, no one is able to create eye contact with him because after all this he looks like damaged goods. I like it to date. Another cop – whom we all know is a sociopathic dirty detective named Burke (played by Roger E. Cross) – is really a loose cannon everyone inside department loves, also to say that he makes up his personal rules using his badge being a license to kill is surely an understatement. He has a squad of dirty cops at his beck and call, as well as the lady police chief eats out from the palm of his hand.
It’s perplexing because Shaw receives a bad rap for doing his job safely, but Burke can be a celebrity if you are all over the map. It’s the antithesis with the cliché cop scenario, therefore when things get wonky after Shaw realizes that Burke and the pals are dirty when he results in a memory stick with damning evidence, the thought that the whole movie rests on starts. Instead of having Burke force Shaw to endure 12 grueling rounds of tasks through the city how Die Hard With a Vengeance along with the first two 12 Rounds movies did, Shaw gets stuck within the police station (and that is several stories high) after Burke pulls the hearth alarm, instigating an important evacuation so the building is empty. Burke with the exceptional dirty cop friends (there will be nearly several of them) take control the building, shut the electricity off, man the playback quality cameras, and jam the air signals to ensure no calls can really be or out, so that Shaw is usually a cornered animal with only his sidearm – with 12 rounds of ammunition – as his weapon. That’s the reasoning this movie has, and even though there’s a seed of the good thought there, you should realize that the truth is that idea is ridiculous and moronic.
On the inside with the building you’ve got one cop with only 12 rounds of bullets to get rid of just as many bad cops who’ve locked him in, and they’re working their way towards him in groups, in pairs, along with singles, although that sounds type of okay, you continue thinking to yourself that is taking place inside a POLICE STATION high might be other weapons stashed everywhere in the place! Even after the hero shoots down and kills the not so good guys, there'll be OTHER WEAPONS to grab and use, but he never thinks to grab another weapon or undergo some jackets and hanging belts to get more clips. And what is happening for the outside on the police station? Does the fireplace department ever make an appearance? No. When the other cops who’ve evacuated the station keep hearing gunfire within their place of work, do they really ever a single thing? No. The SWAT team is eventually called if it becomes apparent that Shaw has supposedly lost his mind and is particularly killing other cops, but when would they enter your house? In the last five minutes with the 90 minute movie.
Once Shaw is locked in and also the gimmick in the film takes effect, the movie is a joke that isn’t funny. I lost tabs on all the authorities men and women who will be killed inside the proceedings. Does Burke honestly believe for example second that he’ll get away with all the things he does inside the movie? Does anyone within the film ever for starters second take into account the consequences from the mess they create? There’s a scene certainly where an bunch of guys shoot up the environment vents within their own station. You know what I thought when that happened? That’s likely to cost the department 1000s of dollars in repairs. It gets to where the bad guys start collecting grenades to throw at Shaw, and absolutely nothing I could do could stop me from seeking to reason through what these characters were thinking.
I enjoy it when someone tries to create a new action star. A real-deal action star, the type that comes from professional sports, fighting styles, or wrestling. I’m always there to cheer the modern guy or gal on, hoping that they’ll chose the perfect movie which fits them being a glove how The Perfect Weapon was customized for Jeff Speakman. That’s what I’m dealing with – that serendipitous occasion in the event the stars align and carry forth the chosen anyone to carry forth the hallowed baton into action movie history. Honestly, I’d never heard about Dean Ambrose before. I’m not into wrestling, but I trust the WWE flying insects us to guys which will last the exam of time – big dudes like Hulk Hogan, Steve Austin, and Dwayne Johnson. It’s not really a terrible thing that Ambrose got the thankless gig of starring in the next entry within a second rate franchise. I mean, ponder over it. After Michael Dudikoff died doing American Ninja 3: Blood Hunt, David Bradley entered the picture and lasted a fantastic while, starring in solid action and martial arts training films, and carried the American Ninja franchise into its fifth and final entry.
I’m unclear what form of future Ambrose has for doing things films, in case 12 Rounds 3: Lockdown is his only outing, create got the short end on the baton. It’s not his fault the movie is awful, plus it’s not really his fault how the movie has choppy, thrown-together action scenes. The director – Stephen Reynolds – must have taken a look with the junky, lazy script and said something before the job. WWE signed off about it and permitted this to happen, and it also’s certainly the worst film off their canon – worse even than imagine. I’ve seen them – and most ones in theaters (12 Rounds 3: Lockdown was launched theatrically in a very limited spread) – but this is the pits. It makes the initial 12 Rounds (that was mediocre) look wonderful by comparison. That, my buddies, is unappealing news.
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